MEISTER(meister后缀)

Meister是什么意思 《德语助手》德汉

der Meister 的含义如下：

gewerblich-technische Berufe: Meister seines Fachs, der seinerseits einen angehenden Gesellen oder Facharbeiter ausbilden darf = 师傅，工长， 技师

Bezeichnung und Anrede für eine Person mit besonderen Fähigkeiten =大师

Sport: Gewinner einer Meisterschaft = 冠军

Herr über einen Untergebenen, Besitzer eines Leibeigenen = 主人

Spielleiter beim Rollenspiel =角色扮演时的竞赛主持人

meister后缀

meister后缀：

meister后缀的单词:

admit vt. 承认;准许进入;可容纳;

commit vt. 犯罪;把交托给;指派作战; demit vt.辞职;开除;

emit vt. 发出，放射;发行;发表; intermit vt.使中断，等。

扩展资料

omit vt. 省略;遗漏;删除;疏忽;没做;无视;放弃

permit vt.许可，准许

pretermit v.省略，忽略，无视;(习惯或连续行为)中断，暂停

transmit vt.传输;传播;发射;传达;遗传

miss后缀的单词只有:

remiss adj.疏忽的，懈怠的;玩忽职守的，不负责任的;粗心的

dismiss vt.解散;解雇;开除;让离开;不予理会、不予考虑

(仅供参考)

高达00中高达的驾驶员为什么叫麦斯塔？

是德语master的读法

高达很多机体名字都用德语

英语有卷舌音，对于日本人是苦手

而且德国的哲学相当厉害，其中也能引申寓意

翻译 1.meister 2. materialise

1不知道

2. materialise<主英> v.= materialize

materialize

v.

物化

v.（动词）

ma.te.ri.al.ized,ma.te.ri.al.iz.ing,ma.te.ri.al.iz.es

v.tr.（及物动词）

To cause to become real or actual:

使成真，实现：使成为真的或确实的：

By building the house, we materialized a dream.

通过建造这所房子，我们实现了一个梦想

To cause to become materialistic:

使物质化，使具体化：使成为唯物主义的：

“Inequality has the natural and necessary effect . . . of materializing our upper class, vulgarizing our middle class, and brutalizing our lower class”(Matthew Arnold)

“不平等具有一种自然的、必要的效力…使人们的上层阶级物质化，使我们的中层阶级世俗化，使我们的低层阶级残暴化”(马修·阿诺德)

v.intr.（不及物动词）

To assume material or effective form:

实质化；具体化：具备物质的或实际的形式：

Their support on the eastern flank did not materialize.

他们想支援东翼力量的计划未能实现

To take physical form or shape.

形体化：采取物质的形式或成形

To appear, especially suddenly.See Synonyms at appear

突然出现参见 appear

mate”rializa“tion

AHD:[-…-l¹-z³“sh…n] （名词）

mate“rializ”er

n.（名词）

In its original sensesmaterialize is used intransitively to mean “to assume material form,” as inMarley's ghost materialized before Scrooge's eyes, or transitively to mean “to cause to assume material form,” as inDisney materialized his dream in a plot of orchard land in Orange County. But these uses are probably less common nowadays than two extended senses of the intransitive sense of the verb.In the first the meaning is roughly “to appear suddenly,”as inNo sooner had we set the menu down than a waiter materialized at our table. Some critics have labeled this use incorrect,but the criticism may suggest an overliteralism;used in this way,the verb has the sense “to appear as if by magic.”Materialize also means “to take effective shape, come into existence,” particularly as applied to things or events that have been foreseen or anticipated:

materialize 的最初含义是作为不及物动词时意思是“具有物质形式，” 例如在玛雷的鬼魂在斯克鲁奇眼前显现了 一句中或作及物动词时意思是“使具有物质形式，” 例如在迪斯尼在奥兰治郡的一块果园实现了他的梦想 中。 但是现在这两种用法也许不如该词作为不及物动词的两种延伸的用法更为常见。第一种用法的大致意思是指“突然出现，”例如在我们刚放下菜单不久，侍者就突然出现在我们的饭桌旁 中。 一些批评家认为这种用法不准确，但是这种批评未免太拘泥于字面意思；同样这种用法下，该词还有“仿佛由于魔力而出现”的意思。Materialize 还有“显形，显效，出现”的含义， 尤其适用在已经预料到或被期望的事物。

The promised subsidies never materialized.

允诺的补助金从来没有出现。

It was thought the community would oppose the measure, but no new objections materialized.

据猜想社区可能会反对该措施，但是新的反对意见还没有出现。

This usage has been criticized,but it is well established in reputable writing and follows a familiar pattern of metaphoric extension.The same logic that allows us to sayThe plans did not materialize allows us to use equivalent and unobjectionable paraphrases with expressions such as take form and take shape.

这种用法曾经受到批评，但是它曾在一些享有声望的作品中很好地被运用并且跟随了隐喻引申含义的常见模式。我们说计划没有实现 时所用的逻辑允许我们使用相同的、无任何异议的其他表达方式，例如 take form 和 take shape

materialize

[mE5tiEriElaiz]

vt.

使具体化; 使物质化; 实现, 使(鬼魂等)现形; 使突然实现

materialize one's ideas

实现自己的理想

With a wave of his hand he materialized a taxi.

他一挥手就召来了一辆出租汽车。

A truck suddenly materialized out of the fog.

一辆卡车突然驶出烟雾。

materialize

[mE5tiEriElaiz]

vi.

具体化, 体现; (希望、计划等)实现

莫扎特的英文介绍!!!!!

分类: 娱乐休闲 >> 音乐

问题描述:

急啊!!!!!!!!

english speech

帮帮忙!!!!!!!!

解析:

莫扎特 Wolfgang Amadeus Mozart

google/search?q=Wolfgang Amadeus Mozart&client=aff-9991&ie=GB2312&oe=utf8&hl=zh-CN&channel=footer

Mozart was born to Leopold and Anna Maria Pertl Mozart, in the front room of nine Getreidegasse in Salzburg, the capital of the sovereign Archbishopric of Salzburg, in what is now Austria, then part of the Holy Roman Empire. His only sibling who survived beyond infancy was an older sister: Maria Anna, nicknamed Nannerl. Mozart was baptized the day after his birth at St. Rupert's Cathedral. The bapti *** al record gives his name in Latinized form as Joannes Chrysostomus Wolfgangus Theophilus Mozart. Of these names, the first o refer to John Chrysostom, one of the Church Fathers, and they were names not employed in everyday life, while the fourth, meaning "beloved of God", was variously translated in Mozart's lifetime as Amadeus (Latin), Gottlieb (German), and Amadé (French). Mozart's father Leopold announced the birth of his son in a letter to the publisher Johann Jakob Lotter with the words "...the boy is called Joannes Chrysostomus, Wolfgang, Gottlieb". Mozart himself preferred the third name, and he also took a fancy to "Amadeus" over the years. (see Mozart's name).

Mozart's father Leopold (1719–1787) was one of Europe's leading musical teachers. His influential textbook Versuch einer gründlichen Violinschule, was published in 1756, the year of Mozart's birth (English, as "A Treatise on the Fundamental Principles of Violin Playing", transl. E.Knocker; Oxford-New York, 1948). He was deputy kapellmeister to the court orchestra of the Archbishop of Salzburg, and a prolific and successful poser of instrumental music. Leopold gave up posing when his son's outstanding musical talents became evident. They first came to light when Wolfgang was about three years old, and Leopold, proud of Wolfgang's achievements, gave him intensive musical training, including instruction in clavier, violin, and an. Leopold was Wolfgang's only teacher in his earliest years. A note by Leopold in Nannerl's music book – the Nannerl Notenbuch – records that little Wolfgang had learned several of the pieces at the age of four. Mozart's first positions, a *** all Andante (K. 1a) and Allegro (K. 1b), were written in 1761, when he was five years old.[1]

[edit]

The years of travel

"Bologna Mozart" - Mozart age 21 in 1777, see also: face onlyDuring his formative years, Mozart made several European journeys, beginning with an exhibition in 1762 at the Court of the Elector of Bavaria in Munich, then in the same year at the Imperial Court in Vienna and Prague. A long concert tour spanning three and a half years followed, taking him with his father to the courts of Munich, Mannheim, Paris, London (where Wolfgang Amadeus played with the famous Italian cellist Giovanni Battista Cirri), The Hague, again to Paris, and back home via Zürich, Donaueschingen, and Munich. During this trip Mozart met a great number of musicians and acquainted himself with the works of other great posers. A particularly important influence was Johann Christian Bach, who befriended Mozart in London in 1764–65. Bach's work is often taken to be an inspiration for Mozart's music. They again went to Vienna in late 1767 and remained there until December 1768. On this trip Mozart contracted *** allpox, and his healing was considered by Leopold as a proof of God's intentions concerning the child.

After one year in Salzburg, three trips to Italy followed: from December 1769 to March 1771, from August to December 1771, and from October 1772 to March 1773. Mozart was missioned to pose three operas: "Mitridate Rè di Ponto" (1770), "Ascanio in Alba" (1771), and "Lucio Silla" (1772), all three of which were performed in Milan. During the first of these trips, Mozart met Andrea Luchesi in Venice and G.B. Martini in Bologna, and was accepted as a member of the famous Accademia Filarmonica. A highlight of the Italian journey, now an almost legendary tale, occurred when he heard Gregorio Allegri's Miserere once in performance in the Sistine Chapel then wrote it out in its entirety from memory, only returning to correct minor errors; thus procing the first illegal copy of this closely-guarded property of the Vatican.[2]

On September 23, 1777, acpanied by his mother, Mozart began a tour of Europe that included Munich, Mannheim, and Paris. In Mannheim he became acquainted with members of the Mannheim orchestra, the best in Europe at the time. He fell in love with Aloysia Weber, who later broke up the relationship with him. He was to marry her sister Constanze some four years later in Vienna. During his unsuccessful visit to Paris, his mother died (1778).

Memorial plaque dedicated to Wolfgang Amadeus Mozart in Václavské náměstí square in Olomouc (Czech Republic). Mozart in 1767 as an 11-year-old boy was fleeing from Vienna e to a *** allpox epidemic and wrote his Sixth Symphony in F Major in Olomouc.[edit]

Mozart in Vienna

In 1780, Idomeneo, widely regarded as Mozart's first great opera, premiered in Munich. The following year, he visited Vienna in the pany of his employer, the harsh Prince-Archbishop Colloredo. When they returned to Salzburg, Mozart, who was then Konzertmeister, became increasingly rebellious, not wanting to follow the whims of the archbishop relating to musical affairs, and expressing these views, soon fell out of favor with him. According to Mozart's own testimony, he was di *** issed – literally – "with a kick in the arse".[3] Mozart chose to settle and develop his own freelance career in Vienna after its aristocracy began to take an interest in him.

On August 4, 1782, against his father's wishes, he married Constanze Weber (1763–1842; her name is also spelled "Costanze"); her father Fridolin was a half-brother of Carl Maria von Weber's father Franz Anton Weber. Although they had six children, only o survived infancy. Neither of these o, Karl Thomas (1784–1858) and Franz Xaver Wolfgang (1791–1844); later a minor poser himself), married or had children who reached *** hood. Karl did father a daughter, Constanza, who died in 1833.

The year 1782 was an auspicious one for Mozart's career: his opera Die Entführung aus dem Serail ("The Abction from the Seraglio") was a great success and he began a series of concerts at which he premiered his own piano concertos as director of the ensemble and soloist.

During 1782–83, Mozart became closely acquainted with the work of J.S. Bach and G.F. Handel as a result of the influence of Baron Gottfried van Swieten, who owned many manuscripts of works by the Baroque masters. Mozart's study of these works led first to a number of works imitating Baroque style and later had a powerful influence on his own personal musical language, for example the fugal passages in Die Zauberflöte ("The Magic Flute") and in the Symphony No. 41.

In 1783, Wolfgang and Constanze visited Leopold in Salzburg, but the visit was not a success, as his father did not open his heart to Constanze. However, the visit sparked the position of one of Mozart's great liturgical pieces, the Mass in C Minor, which, though not pleted, was premiered in Salzburg, and is now one of his best-known works. Wolfgang featured Constanze as the lead female solo voice at the premiere of the work, hoping to endear her to his father's affection.

In his early Vienna years, Mozart met Joseph Haydn and the o posers became friends. When Haydn visited Vienna, they sometimes played in an impromptu string quartet. Mozart's six quartets dedicated to Haydn date from 1782–85, and are often judged to be his response to Haydn's Opus 33 set from 1781. Haydn was soon in awe of Mozart, and when he first heard the last three of Mozart's series he told Leopold, "Before God and as an honest man I tell you that your son is the greatest poser known to me either in person or by name: He has taste, and, furthermore, the most profound knowledge of position."[4]

Unfinished portrait of Mozart, 1782During the years 1782–1785, Mozart put on a series of concerts in which he appeared as soloist in his piano concertos, widely considered among his greatest works. These concerts were financially successful. After 1785 Mozart performed far less and wrote only a few concertos. Maynard Solomon conjectures that he may have suffered from hand injuries [citation needed]; another possibility is that the fickle public ceased to attend the concerts in the same numbers.

Mozart was influenced by the ideas of the eighteenth century European Enlightenment as an *** , and became a Freemason (1784). His lodge was a specifically Catholic, rather than a deistic one, and he worked fervently and successfully to convert his father before the latter's death in 1787. Die Zauberflöte, his second last opera, includes Masonic themes and allegory. He was in the same Masonic Lodge as Haydn.

Mozart's life was occasionally fraught with financial difficulty. Though the extent of this difficulty has often been romanticized and exaggerated, he noheless did resort to borrowing money from close friends, some debts remaining unpaid even to his death. During the years 1784-1787 he lived in a lavish, seven-room apartment, which may be visited today at Domgasse 5, behind St Stephen's Cathedral; it was here, in 1786, that Mozart posed the opera Le nozze di Figaro.

[edit]

Mozart and Prague

Mozart had a special relationship with the city of Prague and its people. The audience there celebrated the Figaro with the much-deserved reverence he was missing in his hometown Vienna. His quotation "Meine Prager verstehen mich" (My Praguers understand me) became very famous in the Bohemian lands. Many tourists follow his tracks in Prague and visit the Mozart Museum of the Villa Bertramka where they can enjoy a chamber concert. In the later years of his life, Prague provided Mozart with many financial resources from missions [citation needed]. In Prague, Don Giovanni premiered on October 29, 1787 at the Theatre of the Estates. Mozart wrote La clemenza di Tito for the festivities acpanying Leopold II's coronation in November 1790; Mozart obtained this mission after Antonio Salieri had allegedly rejected it.[5]

[edit]

Final illness and death

Mozart's final illness and death are difficult topics for scholars, obscured by romantic legends and replete with conflicting theories. Scholars disagree about the course of decline in Mozart's health – particularly at what point (or if at all) Mozart became aware of his impending death and whether this awareness influenced his final works. The romantic view holds that Mozart declined graally and that his outlook and positions paralleled this decline. In opposition to this, some present-day scholars point out correspondence from Mozart's final year indicating that he was in good cheer, as well as evidence that Mozart's death was sudden and a shock to his family and friends. Mozart's attributed last words: "The taste of death is upon my lips...I feel something, that is not of this earth". The actual cause of Mozart's death is also a matter of conjecture. His death record listed "hitziges Frieselfieber" ("severe miliary fever," referring to a rash that looks like millet-seeds), a description that does not suffice to identify the cause as it would be diagnosed in modern medicine. Dozens of theories have been proposed, including trichinosis, mercury poisoning, and rheumatic fever. The practice, mon at that time, of bleeding medical patients is also cited as a contributing cause.

Mozart died around 1 a.m. on December 5, 1791 in Vienna. Some days earlier, with the onset of his illness, he had largely ceased work on his final position, the Requiem. Popular legend has it that Mozart was thinking of his own impending death while writing this piece, and even that a messenger from the afterworld missioned it. However, documentary evidence has established that the anonymous mission came from one Count Franz Walsegg of Schloss Stuppach, and that most if not all of the music had been written while Mozart was still in good health. A younger poser, and Mozart's pupil at the time, Franz Xaver Süs *** ayr, was engaged by Constanze to plete the Requiem. However, he was not the first poser asked to finish the Requiem, as the widow had first approached another Mozart student, Joseph Eybler, who began work directly on the empty staves of Mozart's manuscript but then abandoned it.

Because he was buried in an unmarked grave, it has been popularly assumed that Mozart was penniless and fotten when he died. In fact, though he was no longer as fashionable in Vienna as before, he continued to have a well-paid job at court and receive substantial missions from more distant parts of Europe, Prague in particular [citation needed]. He earned about 10,000 florins per year[6], equivalent to at least 42,000 US dollars in 2006, which places him within the top 5% of late 18th century wage earners[6], but he could not manage his own wealth. His mother wrote, "When Wolfgang makes new acquaintances, he immediately wants to give his life and property to them." His impulsive largesse and spending often put him in the position of having to ask others for loans. Many of his begging letters survive but they are evidence not so much of poverty as of his habit of spending more than he earned. He was not buried in a "mass grave" but in a regular munal grave according to the 1784 laws in Austria.

Though the original grave in the St. Marx cemetery was lost, memorial gravestones (or cenotaphs) have been placed there and in the Zentralfriedhof. In 2005, new DNA testing was performed by Austria's University of Inn *** ruck and the US Armed Forces DNA Identification Laboratory in Rockville, Maryland, to determine if a skull in an Austrian Museum was actually his, using DNA samples from the marked graves of his grandmother and Mozart's niece. However, test results were inconclusive, suggesting that none of the DNA samples were related to each other.

In 1809, Constanze married Danish diplomat Ge Nikolaus von Nissen (1761–1826). Being a fanatical admirer of Mozart, he (and Constanze?) edited vulgar passages out of many of the poser's letters and wrote a Mozart biography. Nissen did not live to see his biography printed, and Constanze finished it.

avengers是什么牌子手表

avengers是meister的联名款的一个手表。

avengers是以多位知名角色设计，如黑豹、蜘蛛侠、美国队长、Guardians of the Galaxy团队以及绿巨人等。

每种款式极其限量，全球仅发布75至150支不等，且每款皆搭载NASA-grade 316L的不锈钢材料和深达100公尺的防水功能。

品牌简介

meister是一个荣汉斯Meister Driver Chronoscope腕表系列。

荣汉斯（JUNGHANS）钟表品牌诞生于1861年（旧称荣汉斯），由Erhard Junghans兄弟在联邦德国南部的施岚贝格小镇创立。如今有150多年历史的荣汉斯目前德国销量第一，拥有德国最大的钟表工厂，是1972年慕尼黑奥运会指定计时表。同时荣汉斯也是全世界钟表高科技的领先者，钟表生产的专利达到3000多项。

ottomeister钢琴停产了

ottomeister钢琴停产了的原因：

1、ottomeister钢琴年代比较久远，一些配件已经找不到了。

2、有更新的替代品,而且有一定市场认可度了。

3、生产成本高，产品本身市场认可度低,有问题,提前停产。

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